Beyond the image,
the story of design.

The exhibition explores cities, territory and memory. Documentation records the viewing conditions of the artworks, thematic spaces and relationships between display walls.

Symmetry, repeated geometry and controlled wide views describe its large-scale public interiors.

The photographs record artworks in relation to walls, lighting, circulation and spatial scale.

The original feature credits Xiang / Wang Chi-Shou and The Ocean House; Yahoo captions also identify the photographer for individual images.

Old brick, metal shelving, plants and daylight organise the display of more than 240 fragrances.

Bottle and glass reflections, display order and local illumination define the photographic challenge.

Mirrors extend the apparent space while translucent panels reveal silhouettes beyond. The photographs describe both the displays and routes through the historic building.

Frames, brickwork and light define the showroom. Photography is jointly credited; not every published image is attributed solely to XIANG STUDIO. The thumbnail previews the published project.

The photographs connect public architecture, exhibition content and landscape within a project focused on Hakka culture and environmental design.

Mountain and river views meet a monochrome interior, where tonal differences distinguish the landscape from the architectural lines.

Sightlines, controlled verticals and daylight show how an irregular layout becomes a fluid living environment.

Overall views and details explain routes for jumping, climbing, playing and running at a child's scale. A typographic cover is used while source images are unavailable for reliable local display.

The series relates the hotel's urban exterior to its public spaces and interior experience. A typographic cover is used while source images are unavailable for reliable local display.

Colour marks out distinct areas while timber adds texture. Views through openings connect rooms through a sequence of contrasting hues. ArchDaily also publishes this project as La Casa de Cathy, crediting Chi Shou Wang. The yellow kitchen, red door and timber screen match the existing feature.

Curves, metal, lighting and clothing form a layered retail experience documented in full colour.

Curved white walls, timber and stone translate the fluid character of ink painting into light and spatial rhythm. A typographic cover is used while source images are unavailable for reliable local display.

The images connect the identity wall, reflective columns, glazed meeting rooms and repeated spatial axes.

This entry records a design-platform publication. A typographic cover is used while source images are unavailable for reliable local display.

Gardens, ventilation and two vertical circulation routes reveal how the design balances separation and connection.

Images relate the building's form and materials to the island's wind, light and family life.

Exhibition photographs bring models, display panels and visitors into a shared spatial context.

Views through the living room, glass partitions and kitchen describe the home's openness and depth.

Slanting light through blinds, a dark sofa and delicate furnishings reveal everyday scale and changing daylight.

The photographs explore the coexistence of old structure, new glazing, courtyard spaces and contemporary uses. The preview uses a photograph credited to XIANG STUDIO; the source also includes work by other photographers.

The photographs balance pale finishes, washed wood flooring and substantial furniture within a lived-in setting.

Connected viewpoints make the complex layout and sequence of spaces readable.

Balanced exposure retains dark material textures, metallic reflections and the brightness beyond the windows.

White geometry, glass, water and stairs form the subject of the feature. The 2011 publication documents a project completed earlier; the readable text archive is retained.

Controlled highlights and shadow detail retain depth across the large windows and continuous white surfaces.